Tales from the Aral Sea

My recent trip to the Aral Sea was memorable for many reasons, not least the incredible scenery and the impression it made on me. But there were several incidents that stand out for entirely separate reasons and I would like to share some of these with you.

The first occurred on the day after we arrived at Kambash Lake, one of the relict lakes left behind following the disappearance of the Aral Sea. The lake itself is a beautiful location and full of fish and with a healthy wild bird population.

Zhomart Beketov

Soon after breakfast a man arrived in our camp, having heard there were strangers in the area. This was Zhomart Beketov, a 62-year-old local. He immediately brought out of his bag an old picture. It portrayed a woman and a group of children dancing in the garden of what looks like a European house and was clearly quite old – probably from the middle of the 19th century. He also had a small embroidered cloth and a boxed German harmonica.

The painting was not entirely an original. It was an early colour print, to which painted highlights had been added. It was intrinsically of little financial value. But this little group of objects held some secrets. Zhomart explained that these items had all belonged to Latvians who had been exiled to this remote spot on the north-east coast of the Aral Sea in the 1940s, after Russia had invaded the Baltic states. Zhomart did not know their names, but he told us that all of them had died – long before he was born – and that these items were all that was left to remind anyone that they had been there.

The Hohner harmonica that had come from Latvia

The items had eventually been passed on to Zhomart by his father, a teacher. But Zhomart  had always thought that they should be repatriated to Latvia and he had been trying for some time to find a way to do this. He had found the name of the framemaker on the back of the picture and tried, without luck, to trace a living relative. There was also a name written in ink on the back, which he assumed could be the artist, so he had also tried to see if he could find any descendants.

He had even written to the prominent Latvia artist Andris Eglitis – who has the same name as the signature on the back of the picture – to ask for his help in tracking down someone connected with this painting. And now, as soon as he heard that there were strangers in the area, he had decided to show the items to them in the hope that someone might be able to help.

Without more information it is probably impossible to find out the original owners of the picture and other items. These were little comforting objects that probably helped the exiled Latvians to remember where they came from and which they had managed to bring all the way from north-west Europe to this remote place in the deserts surrounding the Aral Sea. I suggested that Zhomart should contact the Latvian embassy. They might be willing to take the objects, which could form part of a collection connected with the history of Latvian exiles from that period. There is also just a chance that by writing about them, someone might see a connection. If so, please get in touch and I will pass on the message.

The second incident I want to mentioned happened in the little sand-blown village of Kulandy, where we stayed the night in the house of Kurman Ali, a local camel breeder. With 12 guests in his house Kurman made sure that we were well looked after. Indeed, his wife and daughter-in-law prepared a substantial dinner for us of beshparmak, a Kazakh horsemeat delicacy.

Our hosts in Kulandy

In preparation for the meal the ladies took great pains to lay fresh linen on the long, low table. And as soon as they had done that they covered the entire table in old newspaper, to protect the linen from the food.

After we had been sitting there for a while waiting for dinner to be served, one of our group, Abzal, began to read the yellowing newspaper pages that were scattered across the table. First, he noted that the paper dated from September 2018 and we had a laugh about that. Then, he began to laugh aloud. Of course, we all wanted to know what was happening. Abzal explained that he had begun to read an article about an expedition made that year from the Caspian Sea to the Aral Sea and had suddenly realised that it was an interview with our friend Dauren Raptayev, the organiser of the present expedition, who was sitting opposite him! Dauren confirmed that he had indeed given an interview to a local paper back in 2018. Like us, he was amazed to find it now spread out on the table in front of us. What were the chances of that?

Dauren hold up a copy of the 8-year-old article from the paper that was lying on the table

There’s no point in trying to explain how this happened. Coincidence? How else could you explain it?

I never did find out that name of our host’s wife, although later she offered to show me how she milked the camels. We were taken to a little shed in which there was a solitary baby camel. As we were waiting there, the baby’s mother pushed her way into the yard. Mrs Ali (as I will call her) was well prepared for what was undoubtedly something of an ordeal. She had wrapped a scarf around her face, as the camel was more than likely to spit at her. Then she had to tie up the big camel, including tying its back legs together, to stop it kicking her. Even so, it was still trying to bite her. It would only give milk if the baby was suckling, so as soon as this began, Mrs Ali had to stand on one leg and balance a bucket on the other to collect the milk.

Warning: Do not try this at home

After 10 minutes or so she had about a litre of warm, fresh milk. That was taken back to the house to be pasteurised and transformed into sharbet, a delicious and wholesome drink.

Happy camel

Tengri in Cyanotype

Dorota Bronikowska is a Polish artist who specialises in cyanotypes – the photographic process that produces a monochrome, blue-coloured print and is often used for art and reprography in the form of blueprints. I met her last September at the World Nomad Games in Astana, Kazakhstan, where she had travelled to take images that could later be processed into cyanotypes.

Dorota Bronikowska

I’m delighted to say that Dorota is now about to launch the results of her endeavours in a major new exhibition in Lublin, Poland. From the 7th – 21st June she will be exhibiting as part of the Second Eastern film Festival in the city. Her show of cyanotypes, entitled Kazakhstan – Tengri Kingdom, can be seen at the Dominican Monastery in the city*.

Explaining the show, Dorota says:

Tengri is heaven. For centuries, Tengri has led its children and their herds across the sea of ​​the steppe. So that they do not lose their way in space and time.
Today’s Kazakhstan is an ethnic mosaic. In addition to Kazakhs, Uzbeks, Tatars, Chechens, Koreans, Germans, Poles live here. In total, over 130 nationalities are registered.
Tengri lives in the Kazakh soul. Modern Kazakhs have one foot in modernity but still cultivate traditions from the times when Tengri was a god. The most striking example is the main axis of the capital of Kazakhstan – Astana. The main boulevard of this ultramodern city was led along a sacred road, and in the middle was erected a tower, referring to the shamanic tree of life.
I have been to Kazakhstan twice. I made my first trip by bike. Then I visited holy places, met fascinating people. I saw how life is under the wings of Tengri. During my second trip, I watched ethnic sportsmen and women compete at the World Nomad Games. The different sports eloquently reflect the character and life of the ancient nomads on the Great Steppe
.”

*Kazakhstan – Tengri Kingdom” will be on show at Lublin Monastery, entrance in Dominikanski Square, 20-112, Lublin from 7pm on 7 June – 21 June. Entrance Thurs-Sun, 1pm-5pm. Organised groups by appointment. Free admission. Created in cooperation with the Embassy of the Republic of Kazakhstan in the Republic of Poland, and Air Astana.

Here are a few more exmples of Dorota’s work. If you get a chance, visit the exhibition. More about the Festival here.

North Aral Sea on track for expansion after years of shrinkage

Some good news! Last week Nurzhan Nurzhigitov, Kazakhstan’s Minister of Water Resources and Irrigation, together with the World Bank, reaffirmed their commitment to joint efforts aimed at the restoration of the North Aral Sea.

At a meeting held at the Kokoral dam in Kyzylorda region – which I visited two weeks ago – Mr Nurzhigitov met with Sameh Wahba, Regional Director for Sustainable Development at the Europe and Central Asia region in the World Bank, to review the second phase of the North Aral Sea restoration project.

The North Aral Sea is the portion of the former Aral Sea that is fed by the Syr Darya River. After years of shrinkage, it split from the South Aral Sea in 1987–1988, with the introduction of inappropriate irrigation programmes for agricultural use.

The 12-km long Kokaral dam, which splits off the North Aral Sea from its southern counterpart, was completed in 2005 to control the water levels and restore them to previous levels. As a result of the first phase of the restoration project, the volume of water in the North Aral has increased by 42% to 27 billion cubic metres, the salinity of the sea has decreased nearly fourfold, annual fish catches have risen to 8,000 tons, and 870 sq kms of the dried-up seabed have been covered with water, reducing the wind-driven removal of salt deposits.

The Kokaral Dam

Now the Ministry is completing a feasibility study for the second phase of the project, aimed at heightening the Kokaral dam and thus raising the North Aral Sea level to 44 metres. The plan will also allow for the construction of a hydroelectric complex near the village of Amanotkel to stabilize water resources in the Akshatau and Kamystybas lake systems in the Kyzylorda region.

The aim of this second phase is to increase the water surface area of ​​the North Aral to 3,913 sq kms and its volume to 34 cubic kms within the next 4-5 years.

Sameh Wahba reconfirmed that the World Bank, which is financing the feasibility study, remains committed to further participation in preserving the North Aral Sea. Together with Minister Nurzhigitov he visited a local fish processing plant and saw how many jobs have been created in the region in such sectors as agriculture, livestock farming, and tourism. “The North Aral Sea conservation project is very important for us, as it shows the world an example of restoring an entire ecosystem,” he added.

This is what the Aral Sea looks like now in many places

Once the fourth largest lake in the world, much of the Aral Sea basin has turned into a dustbowl due to poorly thought-out irrigation strategies introduced by the Soviet Union in the 1960s-70s. The North Aral Sea conservation project aims to increase the volume and improve the quality of water in the sea, restore the Syr Darya River delta, reduce wind-driven removal of salt deposits from the bottom of the Aral Sea, develop the fishery in the Kyzylorda region, and improve the living conditions of local residents.

Across the Aral ’25: A magical landscape scarred by a catastrophe

After travelling across the northern Aral Sea basin during the past week, I have seen both the devastating consequences of ill thought-out irrigation policies – and the beginnings of partial rejuvenation.

Vast areas that were once the seabed of a productive fishery now form a new desert, where saxaul is the principal vegetation and powder-fine sand blows into the air with every step. Huge salt pans dominate the landscape. Scientists say pesticide residues in the sand form a deadly cocktail that threatens the health of local people.

The shore of one of the lakes that are all that is left of the Aral Sea.

Having driven from Almaty, our journey into the Aral began at Lake Kambush, a relict lake of the Sea and a delightful spot that belied the vistas just over the horizon.

Lake Kambush

From there we headed south to the  Kokaral dam, which offers some sense of hope. This last year alone has seen the amount of water retained in the northern Aral rise by 2 billion tonnes and cover more than 300 sq kms. The aim is to raise the height of the dam by another 9m and reflood the land all the way back to the town of Aralsk.

The Kokaral dam

Our journey took us further south towards Barsa Kelmes island. The name itself means ‘If you go, you won’t come back’. On our way we came upon a shipwreck,one of the very few that have not been cut up for scrap, mainly due to its remoteness.

Barsa Kelmes is no longer an island, of course. The remains of a weather station are slowly falling to pieces and we found notes from the 1950s monitoring the local saiga antelope population.

A map of the former island of Barsa Kelmes on the wall of a decaying weather station

Our next destination was the so-called Big Aral – which is now three rapidly diminishing lakes – in one of which we swam. The water was so salty it was impossible to sink.

Floating in the Big Aral. Nothing survives in it’s briny water.

Here are a few more pics that illustrate the environment around the northern Aral region.

A lot of camels…
…And a youngster
A Turkmen burial

Across the Aral ’25: Majestic ruins of Sauran

The walls of Sauran
Arriving at night

After a hard day’s driving from Almaty towards the Aral Sea, we arrived after dark at the walls of the abandoned city of Sauran, 70 kms north of Turkistan. This remarkable site was once the largest city on Kazakh territory, but now only majestic ruins remain. The city fell victim to the collapse of the Silk Road trade following the opening up of sea routes from Europe to the East in the seventeenth century.

Sauran survived the Mongol onslaught even though nearby Otrar was completely destroyed for failing to negotiate a deal with Genghis Khan.

The Sauran ruins stretch for several miles,  but the main town walls are almost complete, together with a reconstructed main entrance.

Wandering across this massive site you come across countless fragments of fired blue tiles and shards of pottery. One excavated spot shows just how impressive it once was.

We camped beneath the walls and left early the next  morning to continue our journey, past Kyzylorda towards the Aral.